New shows for 2017 supported by Without Walls

Greenwich+Docklands International Festival is a proud member of Without Walls, a consortium of leading arts organisations and festivals dedicated to the development of the UK’s outdoor arts sector.

BLOCK by Motionhouse Dance and NoFit State Circus – a Without Walls show from 2016

We are delighted to share with you details of the new shows supported by Without Walls for nationwide touring in 2017. Several of these companies will be performing at this summer’s Greenwich+Docklands International Festival – more details coming soon! 

Avant Garde Dance – Table Manners
Bootworks Theatre – The Jukeboxes
Cocoloco – Willy & Wally
Company Chameleon – Witness This
Deaf Men Dancing – Corazón a Corazón
Dizzy O’ Dare – Baba Yaga’s House
Horse + Bamboo Theatre in association with Lempen Puppet Theatre – Theatre for One
Humanhood – Orbis
Luke Jerram Ltd – Museum of the Moon
Matthew Harrison – The Actual Reality Arcade
The Thrill Laboratory – VR Playground
Unlimited Theatre – How I Hacked My Way Into Space
Wild N Beets – Bingo Lingo
Wired Aerial Theatre – To Me, To You…

For more information on each of these companies and their new shows click here

Luke Jerram's Museum of the Moon will feature at Greenwich+Docklands International Festival in 2017. More details coming soon.

Luke Jerram’s Museum of the Moon will feature at Greenwich+Docklands International Festival in 2017. More details coming soon.

Find out more about Without Walls

Without Walls 2016 Programme Announcment

Following on from a successful open call, Without Walls has just announced the 13 shows that they will be commissioning and supporting in 2016!

Without Walls is a consortium of leading arts organisations and festivals dedicated to the development of the UK’s outdoor arts sector. The Associate Touring Network supports the onward touring of work commissioned and presented by Without Walls.

Greenwich+Docklands International Festival is a proud member of Without Walls, which is also composed of Brighton Festival, Hat Fair, Norfolk & Norwich Festival, Salisbury International Festival, Out There International Festival of Circus & Street Arts and Stockton International Riverside Festival. It is also comprised of affiliated members Just So Festival, Chesire and Showzam! Blackpool with Creation Centre Partner 101 Outdoor Arts Creation Centre.

We’re thrilled to be having many of these companies with us this coming festival (GDIF2016). More details to come soon!

"Urban Astronaut" by HIGHLY SPRUNG Commissioned by Without Walls

“Urban Astronaut” by HIGHLY SPRUNG
Commissioned by Without Walls

"Bed" by ENTELECHY ARTS Commissioned by Without Walls

“Bed” by ENTELECHY ARTS
Commissioned by Without Walls

"BLOCK" by MOTIONHOUSE & NOFIT STATE CIRCUS Commissioned by Without Walls

“BLOCK” by MOTIONHOUSE & NOFIT STATE CIRCUS
Commissioned by Without Walls

"Camper Van Of Love" by NEW ART CLUB Commissioned by Without Walls

“Camper Van Of Love” by NEW ART CLUB
Commissioned by Without Walls

"Le Cheval Solitaire" by ABOUTNOWISH Commissioned by Without Walls

“Le Cheval Solitaire” by ABOUTNOWISH
Commissioned by Without Walls

"A New Duet (working title)" by CANDOCO DANCE COMPANY Commissioned by Without Walls

“A New Duet (working title)” by CANDOCO DANCE COMPANY
Commissioned by Without Walls

"The Fantastical Flying Exploratory Laboratory" by LES ENFANTS TERRIBLES Commissioned by Without Walls

“The Fantastical Flying Exploratory Laboratory” by LES ENFANTS TERRIBLES
Commissioned by Without Walls

"H.O.H." by FAR FROM THE NORM Commissioned by Without Walls

“H.O.H.” by FAR FROM THE NORM
Commissioned by Without Walls

 Commissioned by Without Walls LANCE MOI DANS L’AIR LANCE MOI DANS L’AIRZoom inRead more "Lance Moi Dans L'Air" by JOLI VYANN Commissioned by Without Walls


Commissioned by Without Walls
LANCE MOI DANS L’AIR
LANCE MOI DANS L’AIRZoom inRead more
“Lance Moi Dans L’Air” by JOLI VYANN
Commissioned by Without Walls

"Miss High Leg Kick's Audition Project" by FRANCESCA BAGLIONE/MISS HIGH LEG KICK Supported by Without Walls

“Miss High Leg Kick’s Audition Project” by FRANCESCA BAGLIONE/MISS HIGH LEG KICK
Supported by Without Walls

"Masquerade" by YELLO BRICK Commissioned by Without Walls

“Masquerade” by YELLO BRICK
Commissioned by Without Walls

"Project_Vee" by CIRCUS GEEKS X PANGOTTIC Commissioned by Without Walls

“Project_Vee” by CIRCUS GEEKS X PANGOTTIC
Commissioned by Without Walls

"Phone Box" by COREY BAKER DANCE Commissioned by Without Walls

“Phone Box” by COREY BAKER DANCE
Commissioned by Without Walls

Without Walls Open Call: Commissioning and touring opportunities for new outdoor work in 2016

Without Walls invites artists and companies from any discipline to request support for the creation and touring of new outdoor work for presentation and touring in 2016.

GDIF is a founder member of Without Walls, an Arts Council funded consortium of leading festivals dedicated to the development and touring of new and exciting outdoor work. Other members include Brighton Festival, Hat Fair, Norfolk & Norwich Festival, Salisbury International Arts Festival and Stockton International Riverside Festival.

In 2016, Without Walls will be embarking on a new project to create and support new outdoor projects by UK artists; this is subject to a successful Grants for Arts application.

Without Walls will be looking to support the creation and touring of a range of exciting and ambitious projects of different genres, styles and forms.

For more information about the commissioning and touring opportunities for 2016, please visit Without Walls. Applications are due by Thursday 5th November, 5 pm.

'Carousel' by Southpaw Dance Company. Commissioned by Without Walls. GDIF2015 - Photo by Warren King

‘Carousel’ by Southpaw Dance Company. Commissioned by Without Walls.
GDIF2015 – Photo by Warren King

Without Walls 2015

Following on from a successful open call, Without Walls has just announced the 12 shows that they will be commissioning and supporting in 2015!

Without Walls is a consortium of leading arts organisations and festivals dedicated to the development of the UK’s outdoor arts sector. The Associate Touring Network supports the onward touring of work commissioned and presented by Without Walls.

Greenwich+Docklands International Festival is a proud member of Without Walls, which is also composed of Brighton Festival, Hat Fair, Norfolk & Norwich Festival, Salisbury International Festival and Stockton International Riverside Festival.

We’re thrilled to be having many of these companies with us this coming festival (GDIF2015). More details to come soon!

"BEES! The Colony" by ARTIZANI  Supported by Without Walls

“BEES! The Colony” by ARTIZANI
Supported by Without Walls

"451" by CORN EXCHANGE NEWBURY & PERIPLUM  Commissioned by Without Walls

“451” by CORN EXCHANGE NEWBURY & PERIPLUM
Commissioned by Without Walls

"Smoke" by PLUNGE BOOM  Commissioned by Without Walls

“Smoke” by PLUNGE BOOM
Commissioned by Without Walls

"Reliquary" by AVANTI DISPLAY  Supported by Without Walls

“Reliquary” by AVANTI DISPLAY
Supported by Without Walls

"Of Man and Beast" by COMPANY CHAMELEON  Commissioned by Without Walls

“Of Man and Beast” by COMPANY CHAMELEON
Commissioned by Without Walls

"Navrattan: A Quest for the Lost Gems" by NUTKHUT  Commissioned by Without Walls

“Navrattan: A Quest for the Lost Gems” by NUTKHUT
Commissioned by Without Walls

"Louder than Words" by CATHY WALLER COMPANY  Commissioned by Without Walls

“Louder than Words” by CATHY WALLER COMPANY
Commissioned by Without Walls

"Hold On" by STEFANO DI RENZO  Commissioned by Without Walls

“Hold On” by STEFANO DI RENZO
Commissioned by Without Walls

"Ear Trumpet" by GOBBLEDEGOOK THEATRE  Commissioned by Without Walls

“Ear Trumpet” by GOBBLEDEGOOK THEATRE
Commissioned by Without Walls

"Carousel" by SOUTHPAW DANCE COMPANY  Commissioned by Without Walls

“Carousel” by SOUTHPAW DANCE COMPANY
Commissioned by Without Walls

"Bill & Bobby" by STOPGAP DANCE COMPANY  Commissioned by Without Walls

“Bill & Bobby” by STOPGAP DANCE COMPANY
Commissioned by Without Walls

"8 Songs" by GANDINI JUGGLING  Commissioned by Without Walls

“8 Songs” by GANDINI JUGGLING
Commissioned by Without Walls

Inside Out

Screen Shot 2014-06-26 at 9.15.38 AMLucian Msamati

Artistic Director, Tiata Fahodzi

For a mostly building based company like Tiata Fahodzi, the making of Hamba, our first outdoor show, has very much been the ultimate ‘back-to-basics’ challenge. The bricks, tricks and mortar of theatre buildings offer a degree of certainty: audience there, actors here, share a drink over there.

Outside on the street you are literally and figuratively at the mercy of the elements; yes, there are codes and understood rules of engagement but there
is no guarantee that they are espoused and respected in the same way by everyone else.

The fundamental need of the performer in this zone however is the same: to demand, engage and hold the attention of an audience. So how do I move someone to
tears as they run to catch the bus or chat or daydream? For us the answers began with questions from within: what makes you stop/ turn your head/ pay attention/ engage in the park/street/bus/motorway tailback etc.? When a car backfires or tyres screech, we react viscerally. There is something unguarded and honest in it.

In other words, the more honest and unapologetic the subject or object is the more likely we are to pay attention. The Proscenium Arch of a theatre justifies our  great and magical games of complicit make believe; doing so in your local park or high
street demands that you justify yourself! In other words the concept of certainty has to come from within.

This was our cue to buckle down and tell the story honestly, openly, enthusiastically and with integrity. Storytelling, make-believe and theatre existed long before the West End. Architecture, technology and lyricism never trump the truth: a good story, told with invention doesn’t need a huge budget to work. Now is our time to be honest and courageous and hope you are transfixed!

Catch The Legend of Hamba one more time tonight (Thursday, June 26) at 8:30 at Queen Elizabeth Olympic Park as part of Global Streets

Safe House – A place to call home

By Andy Cooper, Director at Draw & Code

After premiering to a crowd in excess of 5000 in Brighton, Safe House will be travelling to the Greenwich+Docklands International Festival on June 21st. The show is a large-scale, outdoor theatre event that explores our relation to the home – which is ironic considering just how little time the cast and crew have spent in our own homes recently!

With projection-mapped animations that feature during every one of the 45 minutes of the show’s duration, the ‘Draw’ side of Draw & Code were kept very busy indeed in the run-up to this fantastic outdoor theatre event. We were required on site during rehearsals to tailor our animation to the needs of the performers from Wired Aerial Theatre Company and the producers from Metro Boulot Dodo. While animation is always time-consuming, it doesn’t often result in you travelling the country!

safehousecloseup

The rehearsals were staged in Leicester, Metro Boulot Dodo’s home town, where the disused Haymarket Theatre was about the only building we could find that was capable of fitting the giant set. This oversized creation stands a lot taller than a real house, which makes for quite a challenge for the dancers who are suspended from it.

When I set off to take up residence in Leicester I decided to take the office iMac with me on the train. After all, what if the laptop isn’t enough? If you’ve seen a photo of somebody with an iMac on a train and gone “really?” – it was probably me!

safeactionaction

Rehearsals were draining, but a physically and logistically challenging production like this cannot leave any stone unturned. Thankfully it’s always fun working with the spectacular Wired Aerial performers. They are part athletes, part artists and we have enjoyed seeing them interact with our animations.

It hasn’t all been smooth sailing though; having upped sticks from our Liverpool sanctuary, for much of the time I was Draw & Code’s sole representative in the chilly theatre while they could all head back home to Liverpool. The rehearsals began during the tail-end of the winter – in a venue that had no heating. It’s fair to say that an abandoned theatre lacks a few creature comforts!

safehousepromo

The contrast between the first day of rehearsals in a dingy abandoned building and the public premiere of Safe House in sunny Brighton was amazing. As we sat in amongst the barbecues on the grass of Hove Park it was the first time in a long time that I could relax, although the cast and crew will have been tense.

The show went without a hitch and the crowd loved it. We hope you can leave your own little castles for a few hours, wherever you are, and join us to watch Safe House!

Screen Shot 2014-06-17 at 12.29.07 AM

Safe House will be performed at Greenwich+Docklands International Festival 2014 on Saturday June 21st at 10PM in Mile End Park, Tower Hamlets.

Q&A with Tiata Fahodzi Artistic Director Lucian Msamati and actors Ery Nzaramba and Anniwaa Buachie

Palessa Mokoena
Assistant Producer
Tiata Fahodzi

We’re so excited to be on tour this summer with our first outdoor performance The Legend of Hamba. I decided to ask some of the cast (Ery Nzaramba & Anniwaa Buachie) and our Artistic Director Lucian Msamati (also director of Hamba) a few questions about the process.

What really IS the main difference in performing outdoors vs indoors? Have a read below for some helpful hints and insight into the outdoor festival world, and some secrets to the Tiata Fahodzi creative process!

Screen Shot 2014-06-14 at 12.02.01 AM

 What’s been the key difference in preparing for outdoor performance and indoor performance?

Ery Nzaramba (Actor)
For me the challenge has been pushing my physicality past the norm; the over-the-top acting, and even the clown acting – telling a story without words, so precision is key. And because it’s an outdoor performance it has to be bigger than big. So it’s a physically taxing show.

Anniwaa Buachie (Actor)
Vocal energy! When performing outside you are not in a confined space and have to find ways to combat the city noises – Aeroplanes, police sirens, trains, traffic etc. So vocal energy is even more important. You need your voice to be rooted and free from tension to capture your audience’s attention.

Screen Shot 2014-06-14 at 12.02.19 AM

 What do you enjoy most about the process?

Ery:
The challenge and opportunity to learn and grow as a performer.

Anniwaa:
The not knowing. Being able just to play and experiment. Every day is different, I discover different things each time I have performed Hamba.

Screen Shot 2014-06-14 at 12.02.45 AM

What did you find the most challenging/ enjoy the least about the process?

Ery:
The sheer physicality of it – you have to learn to pace yourself and still give it your all.

Anniwaa:
Nothing!

Lucian Msamati (Artistic Director of Tiata Fahodzi and Director of The Legend of Hamba)
 The biggest blessing for me was also the biggest curse. There is a mixture of excitement and trepidation when creating a piece from scratch. You may spend a whole day working on a brilliant scene or moment only to discover when you put it all together that it is not serving the story or that it is not working!

Whether people love or hate it is out of your control; but you can control the quality and solidity of your story or approach. And that as I said is the most life-affirming, exciting, butt-clenchingly, terrifying thrill of the job.

Screen Shot 2014-06-14 at 12.03.06 AM

The Legend of Hamba is an abstract and physically demanding piece, what was the most demanding aspect of the preparation as an Actor / Director?

ERY:
Letting go of my inhibitions. Accepting to make the fool of myself or look unflattering in front of others during the devising and improvisations in rehearsals. Then the idea of performing outdoors in front of people who maybe don’t care…

Lucian:
As an actor in my own right, I know that when slip-ups happen, or when the team has an ‘off-day’ etc. there are ‘running repairs’ you can fall back on/ kick in to, to keep things ticking over. 9.85 times out of 10, unless there is a glaring problem or issue, the audiences don’t know any better. As a director however, I find it excruciating watching the team do their job. When it comes down to it, for me it is like teaching your child to ride a bike. You run alongside, you encourage, you instruct, you comfort them when they fall off, build up their confidence and then… you let them go off and compete in the Tour de France! Once the signal comes to start, it’s all, all in their hands ( or feet). All you can do is sit back and hope to goodness you’ve given them enough to be the best.

Screen Shot 2014-06-14 at 12.03.14 AM

Your first performance at Brighton was very well received, what difference does an audience make to an outdoors performance?

Ery:
The audience is the missing link, they make the show. In Brighton our main lesson was that what we’d devised “worked”. And all the fears I had about performing outdoors – the idea of performing in front of people who don’t care revolts me, and the idea of begging for their attention revolts me even more – vanished. If your show is interesting, you won’t have to beg for attention. So it’s all about the quality of the show, not its location.

Anniwaa:
When performing in a theatre, it is clear where the audience will be sitting. But with an outdoor performance, audiences can be sitting  anywhere! You could also be performing for audience members who happen to be peaking through their curtains!

Screen Shot 2014-06-14 at 12.03.43 AM

How did the unpredictable British weather affect your performance?

Ery:
Brighton was very windy…except in the Royal Pavilion Gardens where we performed, and very rainy…except the times we were performing.

Anniwaa:
I think the unpredictable British whether adds to the mystique of the piece.

Screen Shot 2014-06-14 at 12.03.55 AM

 Lastly: give me one word to describe Hamba?

Ery:
Big.

Anniwaa:
One word….mmmmm can I give to works instead? – COMPLEX

——

Check out The Legend of Hamba during Greenwich Fair and Global Streets!

Greenwich Fair, June 22
Global Streets, June 23-26

Without Walls 2014 Programme

GDIF is a founder member of Without Walls, an Arts Council funded consortium of leading festivals dedicated to the development and touring of new and exciting outdoor work. Behind the scenes, artists, performers, designers, producers and technicians have been hard at work developing some tantalising new projects, which will all be shown as part of this year’s Festival.

ww2014

 

GDIF is very excited to be co-commissioning Metro Boulot Dodo’s new large scale storytelling adventure with a fusion of digital imagery and aerial choreography coming together on an ingeniously designed larger-than-life house; Marc Brew’s eagerly anticipated new production which takes place on a 7 tonne island of sand; and Tiata Fahodzi’s contemporary African physical theatre parable “The Legend of Hamba”, which had a recent very successful research and development week at Diorama Arts.

Alongside these co-commissioned projects GDIF will also be presenting other new Without Walls productions by Acrojou, Wet Picnic, Nuno Silva and Ramshacklicious.  Over the course of GDIF’s opening weekend, you’ll be able to see all seven of these new Without Walls productions for 2014, so don’t miss this great opportunity!

Without Walls consortium

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