Nuno Silva on ‘Soul of Fado’

Choreographer & Dancer
Soul of Fado – GDIF 2014 (June 20 & 21)
Soul of Fado is the sister show for A Darker Shade of Fado. Whereas the latter is more intimately poetic (for indoors), Soul of Fado is more explosive and dynamic (we’re also using fire to enhance the story visually).

 

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When devising it I tried to concentrate mainly on the most important elements of the action: a love story filled with passion with a sinister twist, gorgeous contemporary dancing and live music (both the music and my singing are modern and original, inspired in traditional Fado).
A Darker Shade of Fado by Chris Nash

A Darker Shade of Fado by Chris Nash

When we started making the piece I dreamt a lot about it. And part of those dreams involved a portuguese poet (the wonderful Fernando Pessoa, now deceased), the Sandman comics, and a story about a forbidden love affair between a musician and a Moorish princess. Pessoa used to spend his nights writing standing up, creating heteronyms with the might of his pen. The Sandman inhabits the dreams of mere mortals, and the princess is transformed into a violin that her lover will play for all eternity.

A Darker Shade of Fado by Chris Nash

A Darker Shade of Fado by Chris Nash

I wanted to create a story filled with similar poetry, but this time instead of a pen, because I wanted to create a show about Fado, it would be a portuguese guitar. And inside the guitar a Spirit would reside (a malevolent and jealous Spirit of Fado!), coming out whenever the guitar is played.

A Darker Shade of Fado by Chris Nash

A Darker Shade of Fado by Chris Nash

I tried finding a portuguese guitarist here in the UK but it was proving a near impossible task (and although we had Arts Council funding, the thought of bringing a portuguese guitarist over from Lisbon was just a financial unrealistic dream because we were making a show from scratch, and their regular presence in rehearsals would be the ideal scenario) so I decided to get two (amazing) dancers who can also play the acoustic guitar. Little did I know that, half way through the rehearsal process, we all found out that they could also play the portuguese guitar (not as experts obviously, but enough for us to use the portuguese guitar instead of a normal acoustic one!). So now we have a show where dancers, apart from dancing, play the portuguese guitar and we have a fado singer who, apart from singing fado, also dances.
A Darker Shade of Fado by Chris Nash

A Darker Shade of Fado by Chris Nash

We’re poetically breaking traditions!

 

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